Poetry of Resistance – No.1

This papercut portrait demonstrates a confident command of material and concept, using subtraction as its central visual language. The subject is formed through a precise system ofdiagonal cuts that reveal the dark layer beneath the paper, allowing negative space and shadow to define facial structure. The resulting image carries a subtle optical vibration, engaging the viewer in a shifting experience between recognition and abstraction.

Beyond the central portrait, irregular cut forms introduce a raw, expressive energy that contrasts with the measured discipline of the cutting system. The white frame suggests containment, yet the work resists full enclosure, drawing attention to the physicality of paper as both surface and sculptural medium. The piece ultimately succeeds in presenting identity as layered, fragile, and revealed through removal rather than accumulation.